"If there were more there would be too many to convey the impression in which half the beauty resides—the impression, somehow, of something dreamed and missed, something reduced, relinquished, resigned: the poetry, as it were, of something sensibly gone." Fleda ingeniously and triumphantly worked it out. "Ah, there's something here that will never be in the inventory!" She showed her amusement. "They've a much better right to say it's none of mine."!

Fleda was struck, was even a little startled with the way Mrs. Gereth had turned this over—had faced, if indeed only to recognize its futility, the notion of a battle with her only son. These words led her to make an inquiry which she had not thought it discreet to make before; she brought out the idea of the possibility, after all, of her friend's continuing to live at Poynton. Would they really wish to proceed to extremities? Was no good-humored, graceful compromise to be imagined or brought about? Couldn't the same roof cover them? Was it so very inconceivable that a married son should, for the rest of her days, share with so charming a mother the home she had devoted more than a score of years to making beautiful for him? Mrs. Gereth hailed this question with a wan, compassionate smile; she replied that a common household, in such a case, was exactly so inconceivable that Fleda had only to glance over the fair face of the English land to see how few people had ever conceived it. It was always thought a wonder, a "mistake," a piece of overstrained sentiment; and she confessed that she was as little capable of a flight of that sort as Owen himself. Even if they both had been capable, they would still have Mona's hatred to reckon with. Fleda's breath was sometimes taken away by the great bounds and elisions which, on Mrs. Gereth's lips, the course of discussion could take. This was the first she had heard of Mona's hatred, though she certainly had not needed Mrs. Gereth to tell her that in close quarters that young lady would prove secretly mulish. Later Fleda perceived indeed that perhaps almost any girl would hate a person who should be so markedly averse to having anything to do with her. Before this, however, in conversation with her young friend, Mrs. Gereth furnished a more vivid motive for her despair by asking how she could possibly be expected to sit there with the new proprietors and accept—or call it, for a day, endure—the horrors they would perpetrate in the house. Fleda reasoned that they wouldn't after all smash things nor burn them up; and Mrs. Gereth admitted when pushed that she didn't quite suppose they would. What she meant was that they would neglect them, ignore them, leave them to clumsy servants (there wasn't an object of them all but should be handled with perfect love), and in many cases probably wish to replace them by pieces answerable to some vulgar modern notion of the convenient. Above all, she saw in advance, with dilated eyes, the abominations they would inevitably mix up with them—the maddening relics of Waterbath, the little brackets and pink vases, the sweepings of bazaars, the family photographs and illuminated texts, the "household art" and household piety of Mona's hideous home. Wasn't it enough simply to contend that Mona would approach Poynton in the spirit of a Brigstock, and that in the spirit of a Brigstock she would deal with her acquisition? Did Fleda really see her, Mrs. Gereth demanded, spending the remainder of her days with such a creature's elbow in her eye? Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches.

"Give me some more tea," said Mrs. Gereth; and there was a moment's silence as Fleda poured out another cup. "If you were shocked, my dear, I'm bound to say you concealed your shock." "Oh, she has dispelled it." Mrs. Gereth, a month after she had received her great shock, did something abrupt and extraordinary: she caught up her companion and went to have a look at Ricks. They had come to London first and taken a train from Liverpool Street, and the least of the sufferings they were armed against was that of passing the night. Fleda's admirable dressing-bag had been given her by her friend. "Why, it's charming!" she exclaimed a few hours later, turning back again into the small prim parlor from a friendly advance to the single plate of the window. Mrs. Gereth hated such windows, the one flat glass, sliding up and down, especially when they enjoyed a view of four iron pots on pedestals, painted white and containing ugly geraniums, ranged on the edge of a gravel-path and doing their best to give it the air of a terrace. Fleda had instantly averted her eyes from these ornaments, but Mrs. Gereth grimly gazed, wondering of course how a place in the deepest depths of Essex and three miles from a small station could contrive to look so suburban. The room was practically a shallow box, with the junction of the walls and ceiling guiltless of curve or cornice and marked merely by the little band of crimson paper glued round the top of the other paper, a turbid gray sprigged with silver flowers. This decoration was rather new and quite fresh; and there was in the centre of the ceiling a big square beam papered over in white, as to which Fleda hesitated about venturing to remark that it was rather picturesque. She recognized in time that this remark would be weak and that, throughout, she should be able to say nothing either for the mantelpieces or for the doors, of which she saw her companion become sensible with a soundless moan. On the subject of doors especially Mrs. Gereth had the finest views: the thing in the world she most despised was the meanness of the single flap. From end to end, at Poynton, there were high double leaves. At Ricks the entrances to the rooms were like the holes of rabbit-hutches.